Jackie Shane (born Jack Shane) was born in Nashville in 1940 abandoned by his 16-year-old unmarried mother being brought up by relatives. By eight years of age he was singing in a church choir adding to his musical background of spiritual music played often by his grandmother. Shane purchased some drums to start his musical career and took off quickly in the Nashville scene of the 1950’s. Shane had an early feminine streak and his musical career enabled Jack to become Jackie and as success blessed her the wardrobe increased in size as well as an enormous jewellery collection. The wardrobe was androgenous and never mega drag queen.
Skilled playing the drums she was a studio musician for many well-known acts recording in Nashville and singing and drumming in Nashville clubs she took on the name “Little Jackie”. She was friends with Little Richard also like Jackie black and gay. It was dreadful being black in the southern United States and adding to that queer it was even more dangerous.
Shane joined a travelling carnival travelling throughout the United States singing in a tent ending up one day with the carnival in Cornwall, Ontario. She set off to Montreal becoming a smashing success on the Main. Shane was kidnapped by the Montreal Mafia, owners of most of the clubs on the Main. The offer was made to make her a star on the understanding the Mafia would own her. Declining the “offer” she continued her Montreal shows with the Frank Motely Band. Then to Boston with Motely to a huge success with crowds in the street listening to her performance on loudspeakers. The again with Motely to Toronto taking that city by storm playing in a variety of clubs. Shane by 1961 considered Toronto her home. Toronto was not without racism but it was a far cry from the South.
Shane was so popular buses would roll in to Toronto from Buffalo and Detroit full of eager fans. It was her 1963 hit “Any Other Way” that took her as far as she would go. With the lyrics in that song, “Tell her I’m happy. Tell her I’m gay. I would not have it any other way.” Shane was to thank her character “Jackie” for letting her escape from the closet making her happy and unafraid. Shane wanted success her way and refused offers to be in the Ed Sullivan Show and American Bandstand. Sullivan wanted restrictions on wardrobe and lyrics unacceptable to Shane and American Bandstand had only token and segregated blacks dancing over in the corner from the white kids and at the time no black audience members. There is almost no actual footage of Shane other than a performance on “Night Train” a short-lived late night musical show in Nashville.
Off to Pasadena with her lover Dan Matlock in 1971 and then in 1978 she returned to Nashville to care for her ailing stepmother and stepfather. She became a recluse after their death. Then in 2016 a double album set of her recordings was released and a Grammy nomination ensued in 2019 for Best Historical Album and tentative plans for a Toronto, New York and Los Angeles tour. Shane died before her rebirth and thanks to this documentary her name is up on the marquee again.
I can only imagine Sinatra and Shane singing “My Way” as those words sum up the career of Jackie Shane.
Writers and Directors are Michael Mabbot and Lucah Rosenberg-Lee.
RKS 2024 Film Rating 83/100.
Screens at HOT DOCS 27/28April and 4May2024.
A Bird's Eye View of Fashion, Food, Travel, Culture, Beverage and Curiosity 