“That was the real problem with art crime. It was considered high class. At the top level of the caste system, art crime was socially acceptable, even thought of as prestigious and intriguing. It was the only serious crime for which the public tended to root for the criminals. But then, the public was not aware of how art crime funded more sinister crimes, such as the drug and arms trade, and even terrorism. The average citizen felt somewhat detached, and sometimes threatened, by fine art. It was considered elite and elusive, beyond their mental capacities and therefore frightening to many. It was with some satisfaction that the public read about gracefully orchestrated art thefts. It was a combination of voyeurism into a glamorous world apart, and a satisfying jab at an institution that felt exclusive. “
Noah Charney “The Art Thief” Washington Square Press 2007
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