RKS 2024 Film: The Toronto International Reel Asian Film Festival: “Song For No One”

Gene (Giullian Yao Gioiello) hosts an independent radio show in Brooklyn. Who knows who is listening but for certain there are two Asian women pedalling a stationary bike in the forest listening to him sing a song about grieving and about how he is not ready to grieve.

We watch Gene on the telephone applying for a scholarship for those who have experienced the loss of a parent or guardian with little or no life insurance. I best say no more other than this short is haunting, chilling and highly effective in its exploration of grief.

RKS 2024 Film Rating 94/100.

RKS 2024 Film: The 65th Thessaloniki International Film Festival: “Utopolis”: An Extreme Case of Migrant Bashing

Under international law Greece and all other countries having “asylum seekers” land on their shores must offer basic assistance until asylum proceedings have been completed. The cost simply can’t be deported away as deportation is not a legal option. The numbers are so staggering that Italy has outsourced migrant housing and administration to Albania!

Are the masses arriving in Greece truly refugees or are they economic migrants looking for work further north in Germany the land of milk and honey? My impression from visiting the site of a migrant camp on a Greek Aegean island is “asylum seekers” are young men looking for work in countries north of Greece and Greece is but a stepping stone due to many of its islands being proximate to the Turkish mainland and their flow assists Turkey in destabilizing Greece. Hence we are looking at an economic migrant more than a true refugee exodus.

Migrants landing in Greece receive an EU allowance, medical care and food much to the dismay of many Greeks economically struggling to make a living. There are extremes of dislike in Greece but there are moderates too.

In “Utopolis” Yiannis (Makis Papadimitriou) is a fiftyish struggling shop owner selling basic foodstuffs feeling the pain of the surge of organic food products that threaten his business. He despises migrants thinking they are thieves and a drain on the finances of Greece. Women in skimpy clothes are “asking for it.” Liberalism is a corruptive force for Yiannis.

Malls and influencers are the corruptors of Greek youth. He feels that he and decent Greeks are swept up in a wave of corrupting modernization. He is full of hatred and vitriol for all that runs contrary to his conservative if not totalitarian values.

Sam (Peter Okechkwu) is a hard-working African immigrant working at the mall construction project Utopolis. Supported by his manager he is encouraged to improve his Greek language skills and then be given more responsibility. He also works as a mechanic at a garage in the evening to supplement his income so he can pay for his education to further his life. His Russian immigrant friend Tibor (Goran Bogdan) also works at the garage.

Yiannis volunteers at a neighbourhood watch group to promote a safe neighbourhood and for 5 years has been patrolling the neighborhood. He is joined by a first timer on a nightly patrol, Sotiris (Andreas Konstantinou) who is clearly perturbed by Yiannis’ actions and ideological rants. He watches Yiannis harass and threaten a group of young immigrants peacefully talking on the streets who he admits are committing no wrong but must have it in their mind that “we” are watching them. Yiannis is looking for trouble more than attempting to prevent it.

Tibor leaves the garage promising to meet Sam later for a drink at a taverna. Yiannis and Sotiris stop for a coffee at a mobile canteen where Yiannis yet again asks owner Sofia for a date and she politely raises excuses. Sofia’s employee pleads with Yiannis to stop harassing Sofia. Just then Tibor appears arranging a date with Sofia. Yiannis overhears this and pulling out a gun from his glove compartment and in a rage hunts down this ‘illegal”. Sotiris had accidentally discovered the pistol and in disgust drove off.

What follows is pure hatred and a horrible gruesome tragedy where Tibor explains his past and how Greece offered him an escape and a chance to rebuild his life. Yiannis explains the core of his hatred. Both men have excuses for killing each other but fate horrifically intervenes.

A study in intolerance based on personal reasons and not logic. A glimpse at Greek minority extremism but moderation as well. There is no doubt Greece has a migrant issue and the futility of hatred as its solution.

Papadimitriou’s versatility as an exceptional actor is yet again on display. The theme of xenophobia is not new but here it is very clearly established with a masterful Greek stroke.

You can watch the trailer here https://www.filmfestival.gr/en/movie-tiff/movie/15848

The Director is Vladimir Subotic.

RKS 2024 Film Rating 87/100.

RKS 2024 Film: The 65th Thessaloniki International Film Festival: “The River”: A Sloppy Effort!

“The River” is a co Italian, Greek and Kosovian production showcasing the endless talent of Makis Papadimitriou fittingly playing the character of Makis.

Makis is a contractor for a German firm Sky Autobahn building a segment of a showcase highway in Greece. For safety reasons Makis posts bird figures on soundproof panels lining the highway. A motley Mad Max homeless group of 10 live in shanties by the highway and for reasons largely contradictory they rip the bird figures off the dividers. Contradictory as they are enjoying the masses of dead birds hitting the panels crafting tasty sparrow dishes and liqueur from the carcasses. Makis complains to the nasty over stereotyped Germans managing the highway construction about the danger of removing the bird figures but profits and efficiency rule the roost over safety so Makis’ contract is terminated and due to poor writing of the screenplay he is then fired again later on in the movie. Sloppy.

The motley crew is hostile to Makis and a set up accident involving a ragged Maria (Stephania Sotiropolou) occurs with Makis being fleeced for increasing sums of money by the motely crew. A love interest emerges between Maria and Makis but is delayed by a mutual recognition they are from two different worlds. Makis believes in tasty Mad Chicken Nuggets, shopping malls and progress while Maria perceives his view of progress as a threat but she weakens (but does not capitulate) with her orgasmic nugget delight.

At this point the romcom motif gains in intensity punctuated by the philosophical discourse of a river being progress for Makis and a destructive force for Maria. Interesting and relevant. But just when there would be a satisfying development of the romcom the film becomes strangled by excessive philosophification threatening the direction of the film.

The fall of Makis into poverty is lacking in any sense of reality and Maria’s expulsion from her motely crew is puzzling. Why is all the money flowing on screen here USD as the Euro is the currency of Greece. Sloppy.

What could have been a romcom punctuated by just the right dose of intellectualization collapses into a boring nonsensical finish. Sloppy and contradictory at times the film is saved from a major disaster by the theosophical skills of Papadimitriou.

Numerous pokes at Germany and the Germanic character here. A Greek love hate relationship.

A superb job at costuming and make-up of the motely crew to the degree you feel the need for a hot shower just watching them.

Directed by Haris Raftogiannis.

Watch the trailer here https://www.filmfestival.gr/en/movie-tiff/movie/15925

RKS 2024 Film Rating 63/100.

RKS Travel: Checked Baggage Fees and Passenger Snickers

When the worst of COVID was over I took an Air Canada flight from Toronto’s Pearson Airport to Athens. While waiting at the gate an Air Canada passenger agent made an announcement that due to so much unchecked luggage on this sold out flight please volunteer to have your bags checked in. A roar of snickers, chortles and laughter was heard as who would risk having their baggage disappear as was so common at the time.

Airlines have created a swell of dissatisfaction with their nickel and dime strategy of charging for checked in baggage. It has amounted to a raw exposure of profit seeking and it has backfired from a customer perspective as every flight I take originating in North America has gate personnel for the airline looking for “volunteers”.

You see why pay for checked in baggage when you can bring it aboard and cram to overcapacity overhead bins. That cramming causes yet more customer dissatisfaction by passengers having nowhere to store their luggage.

Strange though for my in Europe flights there is a degree of airline ruthlessness in measuring carry on luggage. No desperate pleas are made for suckers…er I mean volunteers.

Airline customer service these days delights in the nickel and dime strategy. It is time it explodes in their face!

Airline passengers of the world unite!

RKS 2024 Film: The 65th Thessaloniki International Film Festival: “Greice”: A Study of a Pathological Liar?

“Greice” is a joint Portuguese Brazilian production wandering in a disjointed fashion bouncing off the walls as if the film had downed too many strong Brazilian coffees.

Factually it is described accurately in the film festival guide. Move beyond the factual description and that is where the trouble brews. If “Greice” was an attempt to make a “sophisticated and artistic film” it fails miserably. For large segments of the movie I query why is that they are there as they make no sense to me. At times the film attempts to right itself and succeeds but at other times it fails. A film of superficiality.

The initial thirty minutes temporally confuse the viewer but after that point some of grand initial confusion makes sense but only some.

Greice is a 21-year-old Brazilian woman attending a fine arts college in Lisbon who meets fellow student Alfonso. At a student party a painting at the faculty burns with Greice and Alfonso taking the heat for the damage and are expelled until an investigation is completed which complicates Greice’s student visa renewal so she ends up back in her Brazilian hometown to process her student visa application at the Portuguese consulate. The plot at that point furiously stumbles to and fro introducing characters for no apparent purpose.

At best I can say the film is a study of Greice as a pathological liar but making that the premise of the film may be too kind to it. I mean that weird dance scene at the conclusion of the film borders on the absurd in a film that is not absurdist.

I am becoming confused even trying to explain this movie.

The director and writer is Leonardo Mouramateus and stars Amandyra (a rather pretentious way of describing herself as she is not Madonna quite yet despite her talent).

RKS 2024 Film Rating 48/100.

RKS 2024 Film: The 65th Thessaloniki International Film Festival: “Honeymoon”: Staggering Oppressiveness

I will depart from my usual format by fast forwarding saying my reaction to the film was upsetting and caused me to pace back and forth after the film attempting to process it. It was slow moving and quite like watching paint dry but when it dried, I was caught beneath it like a bug in an amber coffin struggling to escape quite like Taras (Roman Lutskyi) and Olio (Ira Nishi).

There is not much to be gained by details here other than saying Taras and Olio are newly married and settling down after a small wedding party of artistic type Ukrainian friends who are aware there are evil Russian winds blowing their way.

The winds strike and the wedding bliss is sent in a fast forward time machine in relationship years. They crawl around like petrified bugs in their flat like in Kafka’s novel “Metamorphosis” hearing shelling and individual rifle shots more attributable to executions than combat.

Their story is one of an eternal wait and how their idyllic relationship faces and endures the harsh reality of Russian imperialism. It is painful and slow but hits you with a mighty wallop.

It is the Russian attack of Ukraine, but it could be anywhere that war strikes.

We have seen news footage of the Russian destruction of the Ukraine, but this film gives it reality news footage could never convey.

If I can make a literary analogy, it would be Nevil Shute’s 1957 novel “On The Beach”.

The director is Zhanna Ozirna.

RKS 2024 Film Rating 94/100.

RKS 2024 Wine:  The Black Sheep from Nico Lazaridi and “The Attack of the Giant Moussaka”

The Black Sheep is a blend of non-indigenous grapes to Greece, namely Syrah and Merlot. The grapes are from vineyards grown on the foothills of Mount Pangeon in Kavala.

Aroma: Think of black fruit particularly blackberry, black currant, cassis and black cherry enveloped in a gentle smoke.

Palate: At room temperature expect a dullard as with most red wines but often here in Greece, where the wine was sampled, restaurants will serve red wine at room temperature lending a bland character to it. This faux is equally encountered in Italy. After a slight chill the wine perks up exhibiting more of a Syrahistic character to it but it still maintains an affinity to cherry lushness Merlot offers a wine. Black currant is the leader of the pack. A spicy long finish with hints of pepper.

Personality: Although I am from non-indigenous grapes here in Greece I am not to be sneered at by those looking for “authentic” Greek wine.

Food and Movie Match: As I am currently in Greece attending the 65th Thessaloniki International Film Festival is there no better movie to watch while quaffing this wine than “Attack of the Giant Moussaka” a ribald classic spoof and you will do no harm by consuming it with Moussaka! The acidity here in the wine is discrete and the wine can be sipped but like with most Euro wine it has been designed to be best consumed with food.

Cellarbility: No great benefit to ageing. Consume by 2025-year end.

Price: 12.79 Euros (Greece).

RKS 2024 Wine Rating: 90/100.

(Nico Lazaridi 2021 The Black Sheep, PGI Pangeon, Nico Lazaridi, Agora Drama, Greece, 750 mL,13.5%)

RKS 2024 Film: The 65th Annual Thessaloniki International Film Festival: “Swimming Home”

“Swimming Home” is a feature length film being a United Kingdom, Greece, Netherlands and Brazil production.

It’s opening music is ominous and haunting particularly reminding one of the swarms of buzzing flies over a severed pig’s head in “Lord of the Flies”. What is rotting in the film are spirits of human beings.

It is set in a villa on the coast of Greece with a spectacular vista. An apparent paradise but even in paradise there can be decomposition.

Josef (Christopher Abbot) is a poet. As a child his fleeing Bosnian parents left him in the woods and he was never to see them again. A traumatized and tortured man unable to write and perhaps even to live.

His wife Isabel (Mackenzie Davis) is a traumatized war correspondent witnessing so much terror and brutality her sole zone of comfort is returning to it.

Kitti (Ariane Labed) a green fingernailed self proclaimed botanist is found one day naked and floating in the villa’s swimming pool. She is invited to stay in the villa’s beach house.

Nina is the daughter of Josef and Isabel profoundly unhappy with the disturbed relationship of her parents. Laura (Nadine Labaki) is a long-time friend of Josef and Isabel.

Kitti is seemingly a free and easy character but become accustomed to her and she can be seen as an evil sexual and moralistic predator or perhaps a destructive liberator. Erotic and exotic but on both accounts exceedingly dangerous. The modern dance numbers in the film, seemingly incongruous are very much on point representing the poisonous character of Kitti. She is reminiscent of The Beast in “Lord of the Flies”.

A true Euro film brimming with symbolism and what an intellectual and delightful puzzle it presents to the viewer. What do you make of the “Passover” blood smear? Why does Kitti have an affinity for poisonous plants? And so forth and so on.

There is sophisticated savagery throughout the film. Could it be a “Lord of the Flies” without a Piggy. Just guess who Ralph is here!

A shocking ending that might rile even the most seasoned film buff.

The cast shines particularly Labed. Superb soundtrack by Coti K.

Directed by Christopher Abbot.

RKS 2024 Film Rating 94/100.

RKS TRAVEL: The Barbarity of Basic Economy Class Air Travel

Can you remember the days of yore when two simple classes of air travel existed? First class and economy class which have evolved to a confusing array of classes and subclasses and for what reason? Most likely the unrelenting drive for airline company profits masked with some confusing moniker related to customer convenience.

You might in your younger years been like me where flying was a thrill. Then you flushed that out of your system and started looking for the big deals as a salute to the extinction of travel agents. Then perhaps you became a little older and creakier and became a victim of cramp trauma exacerbated by the other insults of economy air travel using the term “steerage” to lighten your humiliation at being treated secondarily to cattle on the way to slaughter in a transport truck.

Perhaps then for you that Peter Finch moment in the film “Network” when citizens shouted that they were mad as hell and not willing to take it anymore.

Having been crippled, yes actually crippled by the evil seat twist blunt force trauma I was relegated to a wheelchair to load me off an Air Canada flight from Athens to Toronto in 2022 so with that experience in mind I recently booked my Toronto to Thessaloniki flights on KLM’s Premium Comfort Class.

This upgraded economy class is a new growth segment of the airline industry catering to those no longer willing to enjoy the hard unpleasant reality of basic economy class. As an aside I remember once upon a time Air Canada calling economy class “Hospitality Class”. Do I hear you laughing?

What were some of the advantages of KLM’s Comfort Class?

Priority Check-In

Jump the masses and avoid the wait of check in. Weren’t we all supposed to have checked in on-line at home and then double checked in at some kiosk in the airport only to suffer a third check-in?

Priority Security Clearance

It is bad enough to remove everything covering your body (but your G-string) for your security check-in and the stress of waiting for that can be squashed by bypassing the wait or at least most of it. And you get your wallet and phone returned quicker too.

Priority Boarding and Deplaning

Yes, the class system is perpetuated again by upgraded economy by being the second group to be able to board and exit the plane. The crème de la crème are ahead of you. Yes, you will win the lottery and join the beautiful people in business class!

Avoid the Suffering of Continual Contortion

Having been a lawyer for many years I had given some thought about launching a global class action lawsuit against the IATA cabal on behalf of all economy class passengers for the physical and mental pain caused by scanty pitch between their seat and the seat they face. I have noticed over the years pitch is decreasing so where I had a decent pitch in the 1970’s my knees when travelling basic economy now are touching the seat ahead of me and if that seat reclines it squashes my knees and over a period on transatlantic flights it can develop into an injury to the knees and ankles. With KLM Comfort Class lean away dear passenger and I can exit the plane on my two feet instead of in a wheelchair.

Reduction of Claustrophobia

Upon boarding an Aegean Airways flight this week from Athens to Thessaloniki I gasped at what I saw upon entering the plane. Inhumane and cramped. It was so tight I had difficulty getting into and out of my seat and thank goodness I visited the WC just prior to boarding or might have been forced to leave a puddle on my seat. The aisle space had been narrowed to cram even more seats in. On my KLM flight to Amsterdam from Toronto I noticed reduced aisle space for basic economy class passengers. Are we down to every inch matters?

Larger Entertainment Screen

The KLM Premium Comfort screens are a few inches larger than those in basic economy.

Edible Food

I speak firsthand of Air Canada’s favourite food related phrase hurled upon its basic economy class passengers, “Dinner tonight is chicken or pasta” followed eight minutes later with “Sorry we’ve run out of chicken.”

In KLM Comfort Class you receive a menu with a set appetizer, side dish and a choice of three main courses and a set dessert. Breakfast is a three course one. As an example for my main I selected a marinated duck salad with arugula, watermelon, pomegranate cashew nuts topped with fresh basil, coriander and mint with hoisin sauce served cold. Get the idea? Throughout the flight 7 soft drinks, 3 juices, milk, tea, a white and red wine, a cava, four spirits, a cocktail and a beer are available. The wine was of poor quality and was in those mini plastic screwcap bottles. All beverages except for coffee and tea were served in glasses. On my last flight on basic economy with TAP Airlines Portugal my red wine was served in a waxed paper coffee cup. What class! What low class!

Avoidance of Tray Tyranny

Once you are done your meal in KLM Comfort Class trays were removed within 10 minutes. Air Canada has offered me waits for tray removal ranging from 30-40 minutes. Does a baby like sitting in its own poop for too long?

Does Upgraded Economy Cost That Much More?

Airfares can change by the minute and KLM was eager to promote its Premium Comfort Class and on some days, it was actually cheaper than basic economy. Note that on the second leg of my KLM flight from Amsterdam to Athens the only benefit over basic economy was early boarding and exiting.

Check out upgraded economy. You have nothing to lose and perhaps much to gain. Who wants to leave the airplane in a wheelchair even if you clear customs in a jiffy.

RKS 2024 Wine: “Gravity” Pinot Noir from Flat Rock Cellars: A Tough Guy from Niagara

Aroma: This nose detects Pinot Noir with certainty! Delicate and finely chiseled Keith Morrison? Tough and certain like Rosemary Barton? What is term here? Rough? Gruff? Muscular? Bold? Rich? Super ripe Niagara raspberry, blackberry, black cherry, kirsch and chocolate pudding.

Palate: Full bodied with an accompanying fulsomeness. A burly Pinot Noir I would say. Blustery Blackberry and just when you are enjoying a long finish a thin line of acidity gently settles in.

Personality: Almost a “Bench bully”.

Food Match: Caramelized Fennel served with grilled flank steak a la simple.

Cellarbility: Age will soften this wine but I wouldn’t jump the fence after 2027.

Price: $40 CDN.

RKS 2024 Wine Rating: 91/100. 2023 Decanter World Wine Awards 91.

(Flat Rock Cellars 2020 Gravity Pinot Noir, VQA Twenty Mile Bench, Flat Rock Cellars Inc., Jordan, Ontario, 750 mL, 13.5%).