RKS 2024 Film: Sailing with the H.M.S. Hollywood Suite to The Highland Cinemas in Kinmount, Ontario: “The Movie Man” Up Close and Personal! Part Three!

“Movie Man” is a Canadian documentary about 5 very special theatres and the man that created them.

Keith Stata started construction of Highland Cinema in 1975 and in 1979 the theatre opened and through gradual expansion there are now 5 cinemas. Stata bluntly states it was his “stupid idea” to build Highland Cinemas.

Architecturally you might say that Highland Cinemas is a compound not of Scientology but of movie history and ephemera of decades that has been created and maintained by Stata to spark memories. Organized by the decade I can certainly attest to it connecting me with time past much of which I had consciously forgotten.

“Movie Man” is permeated with Stata’s love of cinema and its connection with time. The documentary reminds one of “The Fablemans”, “Cinema Paradiso” and “The Last Picture Show”.

Stata started his love of cinema making his own pictures in his younger years but realized his future would not be in film production but construction and with those construction skills built and or designed the complex.

Stata’s favourite movie is “The Time Machine” a 1960 film based on H.G. Well’s novel of the same name. Stata is a man mindful of time and says the only significance we have is what we do here and his significance was building the cinemas in the middle of nowhere. His view of multiplex cinemas is that they are crap, plastic and advertisements. Not so with Highland Cinemas he says as it is an experience you’ll never forget.

The patrons are often cottagers vacationing in the area and tourists from all points in the globe. It opens in May and closes after Thanksgiving. Rainy days are good for business!

The cinemas are unique, cozy and may I say the La Scala of the anti multiplex movement! The complex is also a museum to different points of the time spectrum with ephemera of the decades, a hall of horror and a collection of projectors nestled in twenty acres just outside the town of Kinmount, Ontario about a two-and-a-half-hour drive from Toronto. Kinmount was a great lumber centre with 6 mills but massive fires decimated the town in 1900 and 1942. Highland Cinemas have become the lifeblood of Kinmount with its population of 300.

It is clear there is a massive amount of effort on Stata’s part to operate and maintain the theatres and he is getting on in age. COVID almost polished off Highland Cinemas but he hung on. And there are the 52 cats he has collected and housed in their own mini complexes.

What is the fate of Highland Cinemas? I can’t travel in time but who out there has the vision and tenacity to continue operation of Highland Cinemas after Stata steps aside?

Could it be the sterile multiplex has had its run and cinemas with soul and personality will make a comeback. I must say I enjoyed a movie theatre for the first time in 40 years. It may well be you have the same experience.

Director is Matt Finlin and the producer is Ed Robertson.

You can watch the trailer here https://vimeo.com/691467989

On demand in Canada on Hollywood Suite on 1August2024 with linear broadcasts as of 7August2024.

RKS 2024 Film Rating 93/100.

RKS 2024 Film: Sailing with the H.M.S. Hollywood Suite to The Highland Cinemas in Kinmount, Ontario: “The Movie Man” Up Close and Personal! Part Two!

No beautiful people (other than myself) are greeting us and where is the red carpet? A local Kinmount matron with a big smile ushers us into the cinema with a bag of popcorn. Speaking of food why is there no mall with a Montana’s and 16 other restaurants down the street? I mean we are this tiny town with a couple of restaurants so who would come to Highland Cinemas for an evening out to eat the best fish and chips in Ontario before the show?

And the actual theatre in which we are to watch the documentary is more like a rumpus room than the cinemas we love with lots of plastic and not a spot of individuality. And much of the theatre is decorated with artifacts taken from over 450 shuttered theatres. It is all old stuff. Wasn’t Robert Duvall saying in “Apocalypse Now” , “I love the smell of acrylic and plastic in a theatrical matinee?”  Geez. We are here to see a film not to admire uniqueness we are unfamiliar with in a multiplex.

So munching this damn tasty popcorn but for goodness sake made with a 1965 recipe using coconut oil. Aren’t coconut trees dangerous as Keith Richards took a terrible tumble from one?

Food looks good but no wine list? Photo Robert K. Stephen

There is that guy from “Apocalypse Now” introducing the film….you know that actor on “Two Men” is it…Charlie Sheen? The Sheen guy loves the film but give me a break as why didn’t Hollywood Suite fly the man up? Most likely the sad story I hear from Route 504, the firm handling the public relations for someone involved with this film namely the corporate jet is under maintenance and due to COVID there are supply chain issues affecting the light bulb in the WC. COVID?

Anyways feeling vulnerable, lonely and even frightened as I have been told there can be bears in the parking lot. The movie rolls. I take deep breaths and have a brief meditation. Damn mosquito bite has made my fingers itchy.

With wild savage animals prowling about I reluctantly turn my phone off. When the bears come storming in like the dinosaurs in “Jurassic Park” how can I call the local constables to save me first then after that all the Torontonians from the bus.

I am feeling a bit silly wearing a tuxedo here.

Part three: The documentary will be finally reviewed.

RKS 2024 Film: Sailing with the H.M.S. Hollywood Suite to The Highland Cinemas in Kinmount, Ontario: “The Movie Man” Up Close and Personal! Part One!

A film critic slaves away under the oppression of well intentioned but unpaid blogs. Wowzers the return is incredible! All the movies you can watch which you can spend 6-7 hours writing about after watching a film with an occasional thank you. No way to make a living but rather an endorsement of poverty. So finally expecting a payout I was anticipating a big swag bag and a google eyed mingling with celebrities on our chartered bus trip to Kinmount, Ontario. Celebrities were D list on the bus, yes I said bus! A few had extras’ experience and one luminary was a dancer on a Nelly Furtado video! I am one to talk having failed an audition to appear on “Peoples Court” in 1972. Those who can’t act write about it.

We were heading to The Highland Cinemas in Kinmount, Ontario to watch a Canadian premiere of “The Movie Man” about Keith Stata the creative force behind The Highland Theatres.

So on we chugged from Toronto with Nino the bus driver who sings like a lark but was so stressed out with Toronto traffic his Caruso voice had shrunk like George Costanza on that Long Island episode where frigid pool water had demasculinized him.

My God a stirring homily on cottage life over the bus microphone from Ally of Route 504 a whippersnapper Toronto PR firm a gargantuan force for cinema public relations. First mate Ally was visibly distraught explaining her past nearby cottage experience over the bus microphone. So many waifs were packed up tight in her yesteryear cottage the local mosquitos treated the cottage like a blood bar! Poor children scrabbling for a blanket to keep from freezing in crisp Kawartha cottage night air. Ally recalls saying, in Oliveresque fashion “Please more sir” for wieners on a stick over the campfire. Was that a tear rolling down her face?

Then a big wheel from Hollywood Suite cautioned about using the bus washroom. Number Two was Verboten. Was he watching too much “Das Poop” on Hollywood Suite?

So halfway through the trip snacks were distributed. Throwback “Dunkaroos” and “Fruit Roll Ups”. Deadly man. With Route 504 and Hollywood Suite where was the Veuve Clicquot and truffled popcorn?

So we finally arrive at Kinmount, Ontario with a population of 300 (dogs and cats included) and The Highland Cinemas and at first glance was there some mushroom magic in our snacks?

Imagine a conglomerate of houses and structures containing five theatres resembling a mashing of drive-ins from 1963 Burlington, Vermont coupled with a bad episode of “Hoarders”, a movie ephemera museum, Honest Eds and a house of horrors at Centre Island in Toronto. Is this a Jim Jones hallucination at a compound with free Koolaid?

And strange signs everywhere saying do this and that. One said close the door to the entrance. By God you won’t see this at a multiplex! You see Kinmount mosquitos have a voracious appetite and if you leave the front door open your movie experience may be bloody and itchy.

No cash or debit…is this 1963? Photo: Robert K. Stephen

Instead of a swag bag with Cartier we are greeted with a bag of popcorn and a cup for soda. I mean the popcorn is popped in coconut oil and tossed in savory spices and is so damn good despite the old fogey 1965 recipe using Weaver Gold Kernels! So good I ate the entire bag! Soft drinks from a dispenser you control? Too much power to the people! I mean we are media people and given popcorn and soda in a movie theatre? How on earth can readers expect a review pulsing with enthusiasm? No swag bag. No champagne with caviar? What type of media trip is this.  The Highland Cinemas in Kinmount, Ontario struggles against the sterile movieplex culture. Skeeters in the movie theatre…call Public Health!

NEXT: The film rolls followed by a deluxe lunch!

RKS 2024 Film: “The G”: Revenge of a Mean Old Goat

The movie opens with two men finishing off the burial of an “old goat” in the countryside. Before their departure one lights a cigarette, moves aside a bit of sand to expose a gaping mouth and the soon to be deceased has a last puff before biting the hand that proffered the cigarette.

Seventy-two-year-old Ann Hunter (Dale Dickey) lives with husband Chip in a modest condo. Chip is in rough shape on oxygen. Ann is a rather raunchy lady with wrinkles galore and certainly no spring chicken. She loves her vodka and smokes perhaps a bit too much to the detriment of Chip.

Then early in the morning while Ann and Chip are sleeping their door is bashed down and their “guardian”, Rivera, armed with a court order quickly transports them to a “care facility” named “Christ the King: Eldercare Facility”. For the next month they are locked in a barren room with food shoved in through the door. And the special “palliative care unit”! Ann learns the care facility is full of those under guardianship. Lonely, isolated and with assets which are of course under the control of guardians. Corrupt doctors work hand in hand with “guardians” to control asserts of the elderly. One important politician with his feet in the mud of corruption it seems owns a string of eldercare facilities.

The guardian, in this case Rivera, pressures Ann to disclose an inheritance she allegedly had received. Facing resistance, he orders Chip the invalid confined to a wheelchair beaten. Chip later succumbs to his injuries and the self described “not a nice person” Ann is forced into revenge mode. Her only ally is her granddaughter Emma (Romane Denis) and a shady ex-soldier from her family in rural Texas.

If you like your bad guys mean you’ll have them here and since they are abusers of seniors their meanness is amplified. But they underestimate Ann who is even meaner than they are but as befits good revenge films she has morals on her side while the bad guys only think profits.

There are also traitors, double dealers and psychopaths peppered throughout the film.

Being a typical revenge film moral justice is served perhaps predictably but the journey has its excitement. Can we change the name of the film to “A Country for a Mean Old Goat”.

Dale Dickey is brilliant and without her character and performance the film would be a mere echo of the reality of the senior guardianship business. “Dirty Harry”? “Fistful of Dollars”? A whole new genre of senior revenge?

Oh, by the way “G” stands for Granny!

Directed by Karl R. Hearne.

Plays at the Fantasia Film Festival in Montreal on 26July2024 with a possible Canadian theatrical release in September 2024.

RKS 2024 Film Rating 91/100.

RKS 2024 Film: “Crossing”: Exotic Road Trip Searching for A Georgian Trans Women

Mrs. Lia (Mzia Arabuli), a retired Georgian history teacher, is on a hunt for her trans niece Tekla. Finding Tekla is the dying wish of her sister. The hunt commences in a Georgian seaside village where Tekla was last seen, but Tekla has disappeared. Achi (Lucas Kankava), a young villager, claims to have Tekla’s address in Istanbul and speaking some English and Turkish persuades Mrs. Lia to take him to assist her in the hunt.

Travelling by bus they arrive in Istanbul which dazzles the viewer with its bustling calamity. Tekla is not to be found at the address provided by Achi which is amid the “trans quarter” populated by trans sex workers.

The search takes Achi and Mrs. Lia throughout many than less savory but colourful districts of Istanbul. They meet trans lawyer Evrim (Deniz Dumanli) in the midst of finalizing her female identity card. Evrim volunteers for “Pink Life” which protects the rights of the trans community.

Evrim is a bright light of optimism and charisma. Mrs. Lia is a tense tightly knit ball of negativity. Achi walks a tightrope between the two mouth agape at the seething life of Istanbul. This melange is odd but it works!

The search leads to a trans bordello run by “Mother” where it so happened Tekla worked but disappeared as “you know what it is like with girls and drugs”.

Is Tekla ever found? Interpret the end of the film as you wish.

The plot is rather simplistic; a search for a missing family member but the adventure is an exciting one highlighting an Istanbul most tourists will never encounter. In fact great credit must be given to the actors but Istanbul itself may be the star of the film. The Turkish music adds to the exoticism of Istanbul.

Yes, enjoy the adventure with a diverse group of characters but central to the film is forgiveness and self realization of a needlessly cruel behavior and attitude to the trans community where an apology may be too late hence tragic.

Written and directed by Levan Akin.

You can watch the trailer here https://www.youtube.com/watch?v=Sp7LGi5Uwg4

The Canadian theatrical release commences 26July2024.

RKS 2024 Film Rating 90/100.

RKS 2024 Film: “Inay” (Mama): The Mutual Pain of the Filipina Absent Mother

“Inay” is a Canadian documentary probing the pain of Filipina mothers leaving the Philippines to work as domestic workers in Canada primarily as child and elder minders. I knew several work colleagues that hired Filipina nannies to mind their children. Some of these nannies had left children and husbands behind and had not returned for years. This story is repeated in the documentary. Child abandonment in the Philippines was encouraged by a political, economic and cultural system the documentary explains. The path to Canadian citizenship and acquiring sufficient wealth to bring over children can take years. That wait inflicts emotional harm.

Abandoned children may suffer mental illness, often depression, brought about by constant sadness and loneliness. Two of the subjects in the film abandoned by their mothers contemplated suicide. And the mothers who abandoned are affected feeling shame and guilt.

The most poignant part of the documentary is two of the abandoned children (now adults) discussing with their mothers about the hurt of their abandonment. It is an emotional and powerful one and it is regrettable the discussion had not been more probing. The question never posed to the mothers was, “Was it worth it?”

The documentary could be interpreted as a journey of personal healing.

A good initial effort by Filipina Canadian producer and director Thea Loo but at times it meanders such as a puzzling discussion about Thea’s character by her husband and the overly discussed friendship/relationship between her husband and the abandoned Shirley Lagman. Some harder facts such as the number of Filipina domestics leaving their children behind to work in Canada as domestics and if that number has differed over the years and why would have been most useful.

“Inay” will have its premiere on 4August2024 at the Asian American International Film Festival in New York and will debut on the Knowledge Network in 2025.

RKS 2024 Film Rating 64/100.

The 4th Annual Greek International Film Festival (Canada): “Markings of Murder”:  Fatherly Love of a Self Diagnosed Serial Killer

Donald Brubaker Jr. (Griffin Cork) is the son of serial killer whose last words from his father were, “Good luck Junior”. Dad’s toll was 6.

Brubaker can’t shake the blackness of his past. It begins to overtake him causing him to sleepwalk at night waking up who knows where. It certainly can’t improve his mental health that he is an obituary writer. He obsesses if he is at heart like his father who chastised him as a child saying if you can’t kill you can’t be a man.

His marriage to Gwen (Elizabeth Chamberlain) has drifted over the last decade because of his unhealthy obsession.

A neighbourhood girl, Melanie Underwood, knocks on the door one evening and asks if he has seen her missing dog. Melanie disappears. In a sleepwalking dream he has strangled Melanie. The investigating police find Melanie’s body in a ravine behind Brubaker’s house. Then it is babysitter Charlene that disappears and once again a sleepwalking dream he slashes with a knife and hears a scream. Charlene’s body is found in a most incriminating location.

His self-imposed guilt augments with the discovery of a box full of “trophies” hidden in the furnace room. So dear viewer you are watching a film about the mind of a serial killer? Hauntingly clever but don’t we watch so many documentaries and films about Dahmer, Bundy, Manson, The Boston Strangler and Pickton?

Then the unimaginable blasts you out of your socks and while you are coping with that something even more unimaginable rocks you again. Brubaker’s rumination that the apple never falls far from the tree needs some adjusting. It fell a little farther than you want to believe.

Superb writing by JarvisG and for that matter the same goes for his directing. And what a soundtrack particularly the opening song “I Should Have Known” performed by Elizabeth Chamberlain.

All in all, an A List horror film saturated with intelligence and horror. And Gustav the Rabbit was wrongly blamed for the stench.

RKS 2024 Film Rating 94/100 for this Canadian film executive produced by Stanley A. Papulkas, Richard Baker and Todd Chamberlain.

One of the excellent films showing as part of The 4th Annual Greek International Festival Film Tour (Canada) playing in 11 Canadian cities 1-31October2024. You can find more about the Festival at https://gifft.ca

The 4th Annual Greek Film Festival Tour (Canada): “Operation Star”

“Operation Star” is a WW II film set in Northern Greece. British planned Operation Star mission fails. Eight men, 5 Greek and 3 British, are sent to blow up a mountain railway bridge but are ambushed by the Germans leaving two survivors Major Vasilis Kostakis (Konstantinos Lagos) and Seargent Pavlos Linos (Lefteris Dimiropoulos). They must go over the mountain to meet up with a small Greek force. They are pursued by the highly efficient and ruthless Captain Hans Schmeichel (Giorgios Hatzitheodorou).

Starting as a young lad you might want to say I have watched almost all war movies made. Is “Operation Star” unique or is it all the same stuff? In many respects it is your standard war movie with guns a blazing, lots of human interaction between soldiers and clear lines between good and bad. Of course, the winners are the good guys as they control the historical narrative.

The wild but lyrical partisan Kostas Kyriadikis

What might set “Operation Star” apart from other war movies is its soundtrack. Yes you have all the military drum themed music but the traditional Greek music adds a poignancy to the quieter moments of sorrow and love. My favourite scene was Kotsakis and Linos meeting up with partisan Kostas Kyriadikis (Manolis Savvidis) and his four “lions”. Kyriadikis is a wild man and quite a unique character for a war movie and his singing up on the mountain a Pontian Greek song is memorable and gives the movie a heartfelt Greek touch.

The film is important viewing for those unfamiliar with the ravages of German occupation. Resistance by Greeks was met by all manner of German atrocities including locking up of Greeks in churches and then setting fire to them. Public executions of villagers seen to be aiding the resistance is brutally portrayed in the film. Men, woman and children lined up and shot or burnt on the stake. This was reality and well documented but not known by many ex-Greece.

Some effort is paid to showing German occupiers as men who are soldiers and human but their brutality overcomes any shred of decency weakly set forth in the film. Given the German retributions, starvation of an estimated 300,000 Greeks in the war and the near complete elimination of its Jewish population what considerations of a decent humanity can be offered to the German soldiers in the film.

If you have watched war movies as “The Thin Red Line”, “Apocalypse Now” or “Platoon” you are familiar with the lush green scenery and the jungle noise. In “Operation Star” you will instead be rewarded with late fall scenery of Northen Greece and the sounds of the forest. Beautiful cinematography capturing the topography.

“Operation Star” offers even veteran war film watchers an excuse to watch it.

Directed by Vasilis Tsikaras.

You can watch the trailer here https://www.youtube.com/watch?v=3ZmYrFxBg88&t=4s

RKS 2024 Film Rating 75/100.

“Operation Star” shows as a film in the 4th Annual Greek Film Festival Tour (Canada) showing in 11 Canadian cities and online from 1-31October2024. Check out the festival website at https://gifft.ca

The 4th Annual Greek International Film Festival Tour (Canada): “Listen” (Akouse me)

“Akouse me” is a voyage into cruelty, turmoil, tragedy, suffering, bullying and a small measure of redemption.

Valmira (Efthalia Papacosta) is a 16-year-old girl attending a progressive school for the deaf in Athens. As the term ends she returns to a small village Katarrakis on the island of Chios in the Eastern Aegean to the home of her father Stamos (Yorgos Pirpassopoulos) where her step brother Aris (Dimitris Kitsos) and stepmother Tania also live.

Stamos had lost his wife and was so depressed Valmira lived with her grandmother but as grandmother died she returns to Chios. Tania, a Bulgarian woman who has lost her husband, is living with Stamos. Her son Aris is also living with Tania and Stamos.

Aris has been placed on probation at his school for vandalism and insulting the school’s director. One more transgression and he is out!

Valmira and Aris attend the local school while Stamos prepares to pay the upcoming semester’s tuition for the school of the deaf in Athens.

Aris and Valmira suffer the worst form of abuse, mockery and derision at the school for Aris’ Bulgarian ancestry and Valmira’s deafness. 16-year-olds can be incredibly vicious and they are led by Marios (Nikos Koukas) a poster for viciousness. He said to his classmates while bullying Aris if you are not a Greek you are a barbarian! Aris and Valmira must listen and endure the steam of invective.

Valmira had received a hearing aid from her grandmother but is reluctant to use it despite school administrators and friends pressuring her to do so. Given the abuse she suffers at school with Aris perhaps it is better she does not listen but her refusal obfuscates reality and on occasion she uses the hearing aid but what she listens to may be best not heard.

Although Stamos is a long-time resident of the village there are snickers about his deaf daughter and Bulgarian wife. Many of the older generation of Greeks have suspicions about Bulgarians and Albanians. When their communist regimes crumbled many fled (often illegally) to Greece.

Stamos does not have the money to pay the upcoming term’s tuition for the Athenian school For the deaf and his failure to pay by the deadline deprives Valmira of her place at the school and a dance opportunity with a theatre in Athens.

Bully Marios and Valmira form a relationship and Aris ,enraged by this, confronts Marios and slugs him in front of Valmira sending him to the hospital. Valmira makes a statement that Aris had threatened to kill Marios but how could she have heard that as she was not wearing her hearing aid. A snitch and a traitor!

A torrent of anger and frustration ensue. The entire family is furious with other family members for a variety of reasons. And to top it off Aris’ octopus has escaped!

As Aris is about to be expelled for slugging Marios and putting him into the hospital nasty Marios, facing his own crisis, redeems himself sparking a bit of school administration corruption. The great moral powers dictating the fate of Aris are immoral and corrupt.

With all the negativity encountered there is a somewhat non depressive ending. Perhaps if all the characters had truly listened to each other all the turmoil could have been avoided.

Valmira has most likely decided listening as opposed to signage enables her to more fully understand the world around her.

Directed by Maria Douza.

RKS 2024 Film Rating 86/100.

You can see the trailer here https://www.youtube.com/watch?v=KsDZbrxwf9U

For screening information and details for GIFFT check out https:/gift.ca

The 4th Greek International Film Festival Tour (Canada): “The Promotion”

“The Promotion” could only have been made by a film director about a film director who is himself!

It rolls along like a traditional film. In 1973 Nikos (Alexandros Logothetis) and his father Mr. Andrikos (Vasilis Kolovos) take the train from Athens to Thessaloniki. Mr. Andrikos wants to see where his son Nikos is living during his studies at The School of Mathematics in Thessaloniki. Nikos is too busy to show his father around despite his father’s offer to treat Nikos and his girlfriend to a dinner. Mr. Andrikos heads back to Athens on the train. Father spurned by a selfish son begets guilt on the son?

Fast forward to 2012 when Greece is beginning to feel the hot breath of German and French creditors otherwise known as the austerity and debt crisis. Nikos is regularly training to the School of Film at the Aristotle University of Thessaloniki where he teaches film to receive a promotion to assistant professor commemorated by a swearing in ceremony. As Nikos’ son Theofilos is attending a party he shuns the invitation extended by his father Nikos to attend the swearing in ceremony and as a replacement Nikos picks up father Mr. Andrikos and off they train it to Thessaloniki. Interesting how Theofilos spurned his father Nikos as Nikos spurned his father in 1973.

On the train trip and in Thessaloniki regrets, pleasantries and anger flows back and forth between Nikos and Mr. Andrikos over their past interactions as parent and son. Nikos is bitter that his father Mr. Andrikos can’t extend pride about his film and teaching career.

As a backgrounder Albanians embarking from the Athens to Thessaloniki train are arrested by the police in an identity check, an Arabic taxi driver ejects them from the taxi as he does not want to be stuck in traffic and angry university students are bellowing with rage over the noose being placed on the neck of Greece by the Euro Troika including the terminations of university staff.

Nikos takes his father to his acting class and Mr. Andrikos complains about the filthy conditions at the university so Nikos cleans up a stall so Mr. Andrikos can pee in sanitary conditions. Students mock Mr. Andrikos when he lectures them about their selfish behaviour. Nikos lambasts his students about their treatment of his 80-year-old father. Students are furious with their professor Nikos and some boycott his class unless he shows solidarity with dismissed university workers and puts the garbage he collected back on the floor where it was collected from. The idiocy of youth? Yes, Nikos was a youth himself once upon a time in 1973.

At this point high end Euro film kicks in as Nikos brings his dad into his acting class and Fellini kicks in with a sort of “Cinema Paradiso” and “8 ½” twist. Yes, I’d like to advise you about how so weird and wonderful the fantasy of Mr. Andrikos is but will you shout like me, “NO” when it smacks you in the face. Is Nikos a Mr. Andrikos to his son Theofilos?

A reflection on the old guard Greece, a liberal reaction to it and the misery caused by that interaction. Yes I have been in the middle of Thessaloniki demonstrations against austerity measures. Loud yes but at least no bombs exploding around me like in the bad days of Belfast.

Directed by Periklis Chouroglou.

You can see the trailer here https://www.youtube.com/watch?v=5Zbb4Is27Fs

Shows as a film in the Greek International Film Festival Tour (Canada) showing in 11 Canadian cities 1-31October2024.

RKS 2024 Film Rating 86/100.