RKS 2024 Film: The 65th Thessaloniki International Film Festival: “Honeymoon”: Staggering Oppressiveness

I will depart from my usual format by fast forwarding saying my reaction to the film was upsetting and caused me to pace back and forth after the film attempting to process it. It was slow moving and quite like watching paint dry but when it dried, I was caught beneath it like a bug in an amber coffin struggling to escape quite like Taras (Roman Lutskyi) and Olio (Ira Nishi).

There is not much to be gained by details here other than saying Taras and Olio are newly married and settling down after a small wedding party of artistic type Ukrainian friends who are aware there are evil Russian winds blowing their way.

The winds strike and the wedding bliss is sent in a fast forward time machine in relationship years. They crawl around like petrified bugs in their flat like in Kafka’s novel “Metamorphosis” hearing shelling and individual rifle shots more attributable to executions than combat.

Their story is one of an eternal wait and how their idyllic relationship faces and endures the harsh reality of Russian imperialism. It is painful and slow but hits you with a mighty wallop.

It is the Russian attack of Ukraine, but it could be anywhere that war strikes.

We have seen news footage of the Russian destruction of the Ukraine, but this film gives it reality news footage could never convey.

If I can make a literary analogy, it would be Nevil Shute’s 1957 novel “On The Beach”.

The director is Zhanna Ozirna.

RKS 2024 Film Rating 94/100.

RKS 2024 Wine:  The Black Sheep from Nico Lazaridi and “The Attack of the Giant Moussaka”

The Black Sheep is a blend of non-indigenous grapes to Greece, namely Syrah and Merlot. The grapes are from vineyards grown on the foothills of Mount Pangeon in Kavala.

Aroma: Think of black fruit particularly blackberry, black currant, cassis and black cherry enveloped in a gentle smoke.

Palate: At room temperature expect a dullard as with most red wines but often here in Greece, where the wine was sampled, restaurants will serve red wine at room temperature lending a bland character to it. This faux is equally encountered in Italy. After a slight chill the wine perks up exhibiting more of a Syrahistic character to it but it still maintains an affinity to cherry lushness Merlot offers a wine. Black currant is the leader of the pack. A spicy long finish with hints of pepper.

Personality: Although I am from non-indigenous grapes here in Greece I am not to be sneered at by those looking for “authentic” Greek wine.

Food and Movie Match: As I am currently in Greece attending the 65th Thessaloniki International Film Festival is there no better movie to watch while quaffing this wine than “Attack of the Giant Moussaka” a ribald classic spoof and you will do no harm by consuming it with Moussaka! The acidity here in the wine is discrete and the wine can be sipped but like with most Euro wine it has been designed to be best consumed with food.

Cellarbility: No great benefit to ageing. Consume by 2025-year end.

Price: 12.79 Euros (Greece).

RKS 2024 Wine Rating: 90/100.

(Nico Lazaridi 2021 The Black Sheep, PGI Pangeon, Nico Lazaridi, Agora Drama, Greece, 750 mL,13.5%)

RKS 2024 Film: The 65th Annual Thessaloniki International Film Festival: “Swimming Home”

“Swimming Home” is a feature length film being a United Kingdom, Greece, Netherlands and Brazil production.

It’s opening music is ominous and haunting particularly reminding one of the swarms of buzzing flies over a severed pig’s head in “Lord of the Flies”. What is rotting in the film are spirits of human beings.

It is set in a villa on the coast of Greece with a spectacular vista. An apparent paradise but even in paradise there can be decomposition.

Josef (Christopher Abbot) is a poet. As a child his fleeing Bosnian parents left him in the woods and he was never to see them again. A traumatized and tortured man unable to write and perhaps even to live.

His wife Isabel (Mackenzie Davis) is a traumatized war correspondent witnessing so much terror and brutality her sole zone of comfort is returning to it.

Kitti (Ariane Labed) a green fingernailed self proclaimed botanist is found one day naked and floating in the villa’s swimming pool. She is invited to stay in the villa’s beach house.

Nina is the daughter of Josef and Isabel profoundly unhappy with the disturbed relationship of her parents. Laura (Nadine Labaki) is a long-time friend of Josef and Isabel.

Kitti is seemingly a free and easy character but become accustomed to her and she can be seen as an evil sexual and moralistic predator or perhaps a destructive liberator. Erotic and exotic but on both accounts exceedingly dangerous. The modern dance numbers in the film, seemingly incongruous are very much on point representing the poisonous character of Kitti. She is reminiscent of The Beast in “Lord of the Flies”.

A true Euro film brimming with symbolism and what an intellectual and delightful puzzle it presents to the viewer. What do you make of the “Passover” blood smear? Why does Kitti have an affinity for poisonous plants? And so forth and so on.

There is sophisticated savagery throughout the film. Could it be a “Lord of the Flies” without a Piggy. Just guess who Ralph is here!

A shocking ending that might rile even the most seasoned film buff.

The cast shines particularly Labed. Superb soundtrack by Coti K.

Directed by Christopher Abbot.

RKS 2024 Film Rating 94/100.

RKS TRAVEL: The Barbarity of Basic Economy Class Air Travel

Can you remember the days of yore when two simple classes of air travel existed? First class and economy class which have evolved to a confusing array of classes and subclasses and for what reason? Most likely the unrelenting drive for airline company profits masked with some confusing moniker related to customer convenience.

You might in your younger years been like me where flying was a thrill. Then you flushed that out of your system and started looking for the big deals as a salute to the extinction of travel agents. Then perhaps you became a little older and creakier and became a victim of cramp trauma exacerbated by the other insults of economy air travel using the term “steerage” to lighten your humiliation at being treated secondarily to cattle on the way to slaughter in a transport truck.

Perhaps then for you that Peter Finch moment in the film “Network” when citizens shouted that they were mad as hell and not willing to take it anymore.

Having been crippled, yes actually crippled by the evil seat twist blunt force trauma I was relegated to a wheelchair to load me off an Air Canada flight from Athens to Toronto in 2022 so with that experience in mind I recently booked my Toronto to Thessaloniki flights on KLM’s Premium Comfort Class.

This upgraded economy class is a new growth segment of the airline industry catering to those no longer willing to enjoy the hard unpleasant reality of basic economy class. As an aside I remember once upon a time Air Canada calling economy class “Hospitality Class”. Do I hear you laughing?

What were some of the advantages of KLM’s Comfort Class?

Priority Check-In

Jump the masses and avoid the wait of check in. Weren’t we all supposed to have checked in on-line at home and then double checked in at some kiosk in the airport only to suffer a third check-in?

Priority Security Clearance

It is bad enough to remove everything covering your body (but your G-string) for your security check-in and the stress of waiting for that can be squashed by bypassing the wait or at least most of it. And you get your wallet and phone returned quicker too.

Priority Boarding and Deplaning

Yes, the class system is perpetuated again by upgraded economy by being the second group to be able to board and exit the plane. The crème de la crème are ahead of you. Yes, you will win the lottery and join the beautiful people in business class!

Avoid the Suffering of Continual Contortion

Having been a lawyer for many years I had given some thought about launching a global class action lawsuit against the IATA cabal on behalf of all economy class passengers for the physical and mental pain caused by scanty pitch between their seat and the seat they face. I have noticed over the years pitch is decreasing so where I had a decent pitch in the 1970’s my knees when travelling basic economy now are touching the seat ahead of me and if that seat reclines it squashes my knees and over a period on transatlantic flights it can develop into an injury to the knees and ankles. With KLM Comfort Class lean away dear passenger and I can exit the plane on my two feet instead of in a wheelchair.

Reduction of Claustrophobia

Upon boarding an Aegean Airways flight this week from Athens to Thessaloniki I gasped at what I saw upon entering the plane. Inhumane and cramped. It was so tight I had difficulty getting into and out of my seat and thank goodness I visited the WC just prior to boarding or might have been forced to leave a puddle on my seat. The aisle space had been narrowed to cram even more seats in. On my KLM flight to Amsterdam from Toronto I noticed reduced aisle space for basic economy class passengers. Are we down to every inch matters?

Larger Entertainment Screen

The KLM Premium Comfort screens are a few inches larger than those in basic economy.

Edible Food

I speak firsthand of Air Canada’s favourite food related phrase hurled upon its basic economy class passengers, “Dinner tonight is chicken or pasta” followed eight minutes later with “Sorry we’ve run out of chicken.”

In KLM Comfort Class you receive a menu with a set appetizer, side dish and a choice of three main courses and a set dessert. Breakfast is a three course one. As an example for my main I selected a marinated duck salad with arugula, watermelon, pomegranate cashew nuts topped with fresh basil, coriander and mint with hoisin sauce served cold. Get the idea? Throughout the flight 7 soft drinks, 3 juices, milk, tea, a white and red wine, a cava, four spirits, a cocktail and a beer are available. The wine was of poor quality and was in those mini plastic screwcap bottles. All beverages except for coffee and tea were served in glasses. On my last flight on basic economy with TAP Airlines Portugal my red wine was served in a waxed paper coffee cup. What class! What low class!

Avoidance of Tray Tyranny

Once you are done your meal in KLM Comfort Class trays were removed within 10 minutes. Air Canada has offered me waits for tray removal ranging from 30-40 minutes. Does a baby like sitting in its own poop for too long?

Does Upgraded Economy Cost That Much More?

Airfares can change by the minute and KLM was eager to promote its Premium Comfort Class and on some days, it was actually cheaper than basic economy. Note that on the second leg of my KLM flight from Amsterdam to Athens the only benefit over basic economy was early boarding and exiting.

Check out upgraded economy. You have nothing to lose and perhaps much to gain. Who wants to leave the airplane in a wheelchair even if you clear customs in a jiffy.

RKS 2024 Wine: “Gravity” Pinot Noir from Flat Rock Cellars: A Tough Guy from Niagara

Aroma: This nose detects Pinot Noir with certainty! Delicate and finely chiseled Keith Morrison? Tough and certain like Rosemary Barton? What is term here? Rough? Gruff? Muscular? Bold? Rich? Super ripe Niagara raspberry, blackberry, black cherry, kirsch and chocolate pudding.

Palate: Full bodied with an accompanying fulsomeness. A burly Pinot Noir I would say. Blustery Blackberry and just when you are enjoying a long finish a thin line of acidity gently settles in.

Personality: Almost a “Bench bully”.

Food Match: Caramelized Fennel served with grilled flank steak a la simple.

Cellarbility: Age will soften this wine but I wouldn’t jump the fence after 2027.

Price: $40 CDN.

RKS 2024 Wine Rating: 91/100. 2023 Decanter World Wine Awards 91.

(Flat Rock Cellars 2020 Gravity Pinot Noir, VQA Twenty Mile Bench, Flat Rock Cellars Inc., Jordan, Ontario, 750 mL, 13.5%).

RKS 2024 Film: “The Shade”: Mental Illness as the Horror?

“The Shade” has very little traditional horror in it. Yes, there is a terrifying ghoul and some menacing Druid like figures but the focus is on mental illness and post traumatic stress disorder so please don’t expect ghouls jumping out of the bushes.

Ryan Beckman as a boy watches his father commit suicide by firearm. A decade or so later Ryan Beckman (Chris Galust) is on heavy anti-anxiety drugs suffering from flashbacks, nightmares and panic attacks and eventually repeatedly seeing a naked woman ghoul and Druid like figures. He is a mess held together by his girlfriend Alex (Mariel Molino) and caring for his younger brother Jamie.

Ryan’s older brother Jason Beckman (Dylan McTee) returns to the family home from out of state university “mid semester”. He is angry, moody and argumentative suffering from some type of mental illness which he applies the final solution to placing yet more stress on Ryan.

I query if you agree with my mental illness tack I am taking and it is not the first horror movie I have watched this year where the mind takes precedence over the ghoul.

You may find two hours a bit too long but with the tremendous performance of Galust you just might be enthralled and certainly not bored or restless. This is one of the most stellar performances I have seen this year. Where do I send my Oscar nomination to? Molino as Ryan’s girlfriend has a supporting role and crushes it. There is Batman and there is a Robin!

You can watch the trailer here https://www.youtube.com/watch?v=TIFwX4ryBKc

After its theatrical release it moves to a 22November2024 digital release.

It is directed by Tyler Chipman.

RKS 2024 Film Rating 95/100.

RKS 2024 Film: “Breakfast of Champions”: Back After 25 Years

“Breakfast of Champions” based on a Kurt Vonnegut novel of the same name has returned to the big screen 25 years later with a 4K restoration.

Just about all “champions” in the film are a far cry from being champions of a normalcy. Characters here are champions of an eccentric otherworld.

Dwayne Hoover (Bruce Willis) is at first blush a successful car dealer in Midland City in a suburban midwestern United States that Vonnegut paid “homage” to in so many of his novels. Dwyane is lost looking for some meaning in his life that is punctuated by suicide attempts and a dizzying array of cheesy commercials for his dealership Dwayne Hoover’s Motor Village. Fair to say Dwayne is in the midst of a nervous breakdown.

Dwyane’s wife Celia (Barbara Hershey) is lost in space by too many Mother’s Little Helpers. Bunny, their son, lives in a bomb shelter dug out in the front yard. He is a miserably pathetic lounge singer that puts Diane Keaton’s jazz vocals in “Annie Hall” in the stratosphere.

Harry Le Sabre (Nick Nolte) is a paranoid sales manger for Dwayne Hoover’s Motor Village. His Hawaiian Day television on air commercial and some of his outfits are priceless. Yes he is a transvestite.

Dwayne’s mistress and secretary Francine (Glenne Headley) spacy but sweet voice offers comfort to Dwayne.

And who could forget a recurring Vonnegut character, the prolific but obscure science fiction writer Kilgore Trout (Albert Finney). And a very strange Eliot Rosewater (Ken Hudson Campbell) head of the Rosewater Foundation who may be Trout’s sole appreciator.

The film is all about a strange cast of characters perhaps as spacey as the cinematography, cheeseball television commercials both actual and created for Dwayne’s car dealership (selected and directed by Vonnegut as the Commercials Director).

The film directed by Alan Rudolph may wander a bit plot wise but the fascinating congregate of characters may be more important than the plot.

Limited Canadian theatrical release 5November2024.

You can watch the trailer here https://www.youtube.com/watch?v=ZUQzm3PxPGE

RKS 2024 Film Rating 88/100.

RKS 2024 Film: “SALLYWOOD”: Has Hollywood Abandoned Sally?

Sally Kirkland (playing herself) starred in the 1987 film “Anna” winning the Golden Globe for Best Actress and an Academy Award nomination for the same. But ageing women in Hollywood fade from the public spotlight being eaten alive by a younger tier of female stars.

Zack (Tyler Steelman) has been a childhood admirer of Sally in his small hometown in Maine. He embarks on a trip to meet her in Hollywood and eventually becomes her assistant not that there is any real interest by studio executives and directors in her. Even her agent mockingly looks forward to her starring in catheter commercials.

It so happens Tom (Tom Connoly) Zack’s raunchy Brit screenplay wannabee roommate has some dubious backers delivering film financing cash in a suitcase which he hides under his bed. So, Sally now has a part in a D zombie film “Outer Space Zombie Chicks in Prison” with Tom’s porn actress friends Bibi and Poundcake.

Sally is a bit “out of the ordinary” with an affection for the New Age, astrology and proudly recounting her past sexual experiences.

A riotous panoply of directors, television producers, two faced agents and a cutting but humorous view of the flimsy and rotten lack of transparency of Hollywood. One does not need to scorch Hollywood with vitriol as this film illustrates. Satire and humour are of the same result in a more soothing fashion.

And my favorite scene in the film is when Sally visits Zack and his parents in Maine for Christmas. Zack’s mother Joanne (Jennifer Tilly) serves up Christmas Eve lasagna to all at the table and Sally warns her that she is a vegetarian but Joanne retorts, “Not today” and slaps down the lasagna on Sally’s plate. Tilly’s performance throughout is esoterically brilliant!

A breezy but highly effective Dean Martin Roast of Hollywood. Her zombie movie is a smash so Zack gets to work with writing her next film “Sallywood” but or course you and I have already seen it.

Here is the trailer https://app.frame.io/presentations/5d597703-c605-49d5-95bd-575b76d52a92

The director is Xaque Gruber.

The film shows at L.A. Femme Film Fest on 25October2024 with a limited Los Angeles theatrical engagement 7/8November2024.

RKS 2024 Film Rating 92/100.

RKS 2024 Film: “Stolen Time”: Repressive, Oppressive, Saddening, Infuriating but a Necessary Watch

Many years ago attending university in Montreal I worked at a Extendicare nursing home now more commonly referred to as a long-term care facility. I worked in the dining room and as an occasional orderly. The first days were shocking for me with many residents lined up in wheelchairs talking to themselves or with heads drooping many looking catatonic. A faint smell of urine permeated the air. These images and smells remain with me strangely gaining in intensity with age. Absolutely sinister. You never contemplate a long-term care (LTC) facility is in your future but as noted in the documentary there may be no choice!

In “Stolen Time” Toronto based elder rights lawyer Melissa Miller is retained by families of many LTC “victims” who have lost family members in LTC facilities both corporately controlled and some independently owned. Families are looking for accountability and justice over monetary compensation. As most LTC’s are privatized, they are a business that finances themselves by profits and decent care is a threat to net revenue. Staffing shortages, severe dehydration, malnutrition, misdiagnosis, scanty periodontal care, falls, skin wounds, infections and a list of atrocities are common issues reported by families. Often staff and managers are silenced by nondisclosure agreements they have signed so Miller has resorted to the hire of a private detective to film and document conditions her clients have complained about.

Miller’s fight for justice, particularly for judicially recognized standards of care are vigorously defended by deep pocket defendants financially bolstered by record profits. Sickeningly they play the card that pops only had a few years to live and with dementia what quality of life did he have anyways!

And it is not only Miller and affected families we watch and listen to but social workers, former personal support workers, union representatives, accountability and transparency analysts. Miller notes it is easy to blame personal support workers and other LTC staff but they are often left hanging by the profit motive where pleasing analysts and shareholders on quarterly corporate performance updates takes precedence over the delivery of quality care.

The series of illustrations detailing the faults of LTC care facilities by former personal care worker Lisa Alleyne reinforces the messaging of systematic failure in LTC’s. The system is broken and must be reformed.

For many LTC residents poor care shortens life span hence steal time from life.

Theatrical releases in New York and Los Angeles commencing 17October2024.

Director is Helene Klodawsky.

RKS 2024 Film Rating 92/100.

RKS 2024 Film: “Curl Power”: Or Should it Be Girl Power?

I heard a friend remark about the game of curling about as exciting as watching paint dry. Unfair to those who curl and are passionate about the sport.

In “Curl Power” five British Columbian female teens are passionate about curling and compete as the “The 4K Girls”.  Gently coached by Canadian Olympian curling moms their goal is to win the provincial under 18 junior women’s curling championship.

If you are bonspiel inclined you might derive some pleasure from the rink action as the rocks glide down the ice. But the action of the film may not be on the ice but a focus on these teens as they navigate the transition from child to adult. Sort of caught in the middle so as to speak.

These curlers are not super machines but adolescents with a strong and enduring friendship and curling is but an arena for their development as adults. There is depression, anxiety, hints of an eating disorder, cancer, tears, passion, doubt, make up tips, boy problems and the loss of team members to university. You might surmise they are tough and confident but my conclusion is that they are vulnerable as so many teens are. In effect what might have been a cheesy sports documentary becomes a study in the human condition.

You may ask yourself if inclusion and curling are miles apart. The young ladies are all middle-class Caucasians.

Interesting yes. Groundbreaking no.

Warning no Tim Hortons’ coffee can be seen in the film.

Josephine Anderson is the director.

RKS 2024 Film Rating 74/100.