RKS 2025 CANADIAN Wine: Is There Any Pizzazz in Magnotta’s Limited Edition PZaZZ?

Magnotta Wines presents us with an Ontario VQA red blend of Merlot, Cabernet Franc and Cabernet Sauvignon. The wine is non-vintage with the winery website stating the wine is from “a combination of two outstanding vintages of premium red blends of which 50% is from appassimento wines.” What were the outstanding vintage years?

The website also sates that “selected” Limited Edition wines, of which this wine is described as one are barrel aged in French/American oak for 12-18 months then bottle aged for an additional 6 months. Is this wine one of those “selected” Limited Edition wines? Are the oak barrels new or old or a combination of the two? Befuddling consumers?

Aroma: Blueberry, cassis, black cherry in a raspberry frame.

Palate: Bit of a tannic kick accompanied by a dose of pepper. Blueberry, date, purple Ontario plum and some sour cherry nectar with a lingering pepper finish.

Personality: I try to show my sophistication with an enormously heavy bottle which some consumers may associate with top quality wines. I am certainly a decent wine but does the vague term “Limited Edition” really add anything to my quality? May I humbly suggest decanting me for an hour to draw out a bit more complexity?

Food Match: Tis the season for abundant Ontario produce so why not a sour dough crust pizza with field plum tomato sauce topped with Mortadella and Niagara peach slices.

Price: $19.45 CDN.

Cellarbility: No harm in hanging around until 2026-year end. Might soften a bit but don’t count on it.

RKS 2025 CANADIAN Wine Rating: 89/100. Wine Align Community Score 89.

(Magnotta Limited Edition Non-Vintage PZaZZ, VQA Ontario, Magnotta, Ontario, 750 mL, 14.6%).

RKS Literature: Meditation and Returning Back to the Garden (Yukio Mishima)

“Even though he was plunged in meditation from morning to night, he was loath to direct his immense emotional reserves toward a single conclusion. Meditation had a great deal in common with kemari, the traditional sport of the Ayakuras. No matter how high one kicked the ball, it would obviously come back to earth again at once. Even if his illustrious ancestor Namba Munetate could excite cries of admiration when he picked up the white deerskin ball by its thongs of purple leather and kicked it to such incredible heights that it topped the ninety-foot roof of the imperial residence itself, it must inevitably fall back again into the garden.”

“Spring Snow”, Yukio Mishima, 1968.

RKS 2025 CANADIAN Wine: & Evermore Chardonnay: Can an Ontario “Budget” Chardonnay Deliver?

If one pauses momentarily in a wave of Canadian patriotism accentuated by Trumpian carnival barking annexation of Canada aggression and decides to buy Canadian wine one may discover Canadian wines can be pricier than many Chilean, Spanish, Argentinian and Portuguese wines. Chardonnay is no exception so with interest we try a $16 & Evermore 2023 Chardonnay from Niagara, Ontario. An Artisan Wine Co. brand sort of akin to E.J. Gallo in California?

Aroma: Typical Niagara Chard pear, apple and lemon but add to that custard and marzipan. Lean but hopefully not mean!

Palate: The leanness continues on the palate with apple, pineapple and Flemish pear with a surprisingly long yet somewhat bereft finish.

Personality: I am unoaked so you might well expect leanness as a starting point if you are comparing me to oaked Chardonnay. I am the naked grape!

Food Match: Fresh caught perch from Minor Fisheries at Port Colborne in Fort Erie made into a fish chowder.

Price: $16 CDN.

Cellarbility: Don’t surpass 2025 New Year’s Eve with your pre dinner oysters.

RKS 2025 CANADIAN Wine Rating: 86/100. Wine Align Community Score 86.

(&Evermore 2023 Unoaked Chardonnay, VQA Niagara Peninsula, 750 mL, 12.7%).

RKS 2025 Documentary Film: “In Hell With IVO”: A Most Interesting Bulgarian!

I was last in 1973 Bulgaria as a whippersnapper with shoulder length hair. There were very few adventuresome tourists in that part of the Iron Curtain at the time. As I was walking the streets of Sofia drinking some green carbonated beverage of unknown composition three Dutch young folk stopped me and asked how I entered the country with long hair intact. They had their locks shorn at the Bulgarian border having entered Bulgaria by car and the police were now stopping all longhairs on the streets of Sofia and escorting them to barbershops to maintain the purity of the socialist order. Being a filthy rich capitalist that flew into Sofia from Athens I was left untouched at customs. The point was that for an Iron Curtain country Bulgaria had a puritanical streak. The Romanians, Czechs, Yugoslavs, Poles and Hungarians left me luxuriate in my decadent long hair.

Screenshot

I was curious about this documentary touching the antics of 44-year-old Ivan Dimchev a Sofian dressed in bizarre but creative attire, singing smutty songs, appearing in outrageous performances, playing the comedian and writing a play, ”In Hell With Jesus” without being arrested but Bulgaria is no longer a communist state and morals have shifted from those in 1973 at which time Dimchev would have been transported to a Gulag.

This documentary showcases a very talented renaissance man; a comedian, a dancer, a playwright and a performance artist who transcends shock value displaying impressive artistic talent. Perhaps the comments of a radio show host describing IVO as extremely likeable, free, disturbing, obnoxious and insolent best describes the character unfolding in front of the viewer.

Why is IVO the way he is? Could it be the abuse he claims to have been subjected to by his father and lack of support of his mother when he advised her of his coming out at 18 years of age and her blind eye to paternal abuse. IVO considers himself in hell and causes hell to the people around him. He claims to have been in literal hell with all its manifestations and the only reason he is on earth with his partial sanity is that he kept Jesus in his heart!

Once you transcend the seemingly outrageous IVO, and you will do that relatively quickly, he is an intelligent and highly talented artist the  message his creativity perhaps based in the healing of his personal trauma.

You can watch the trailer here https://www.youtube.com/watch?v=aG-STjsYMnk

“Ivo in Hell” is directed by Kristina Nikolova and will be screening as a regional premiere at the Sarajevo Film Festival on 21August2025.

RKS 2025 Documentary Film Rating 83/100.

RKS 2025 Canadian Wine: Southbrook Triomphe Merlot From Niagara

Niagara Merlot appears to be making great strides for itself whether it be Peninsula Ridge or Peller Estates. Could it be a judicious use of oak that is the key?

This Southbrook Organic Merlot was wild fermented in new and used French oak barrels aged for 18 months.

Aroma: Raspberry, black cherry and cassis with a slight earthy funk.

Palate: Moderate and peppery tannins. Chalky if not brackish running hot. Pepper, blackberry and raspberry continuing hotness on the long finish.

Personality:  I admit it I am a bit of a hothead obfuscating that trademark Southbrook purity. You won’t get warm and fuzzy Washington State Merlot from me.

Food Match: Stuffed Ontario field tomatoes and eggplant with lots of dill!

Cellarbility: Can hold into 2028 but can’t see it improving.

Price: $28 CDN.

RKS 2025 Canadian Wine Rating: 86/100. Rick VanSickle 91.

(Southbrook triomphe Organic 2021 Merlot, VQA Niagara Peninsula, Southbrook Vineyards Niagara-on-the-Lake, Ontario, Canada, 750 mL, 13%).

RKS Literature: Imagination (Yukio Mishima)

“Those who lack imagination have no choice but to base their conclusions on the reality they see around them. But on the other hand, those who are imaginative have a tendency to build fortified castles they have designed themselves, and to seal off every window in them.”

Yukio Mishima, “Spring Snow”, 1968.

RKS 2025 Documentary: “Divia”: All Manner of Destruction: All Manner of Resilience

The Euro documentary “Divia” has no dialogue simply music. Its astonishing cinematography is a work of art. It is a panorama of destruction of flora and fauna, man, his environment and his machines of death and destruction. Nature has been wounded but is far from defeat.

If you have watched the documentaries “Russia at War” and “2,000 Meters to Andriivka” you will have witnessed the brutal fighting in Ukraine with the focus on man, machine and technology. While there is footage of destruction in those films “Divia” is more comprehensive and lyrical showing the pristine habitant of Ukraine juxtaposed with its savage defiling. Its pictorial horror at times has a certain artistic beauty a luxury for the viewer and a hell for those humans and animals subjected to it.

All manner of destruction to man, machine, flora and fauna is presented. Rotting corpses of man, marine life and animal, rusted tanks and armoured vehicles, tanks being hit with high explosives, military garbage, bombed bridges, shell casing fragments, land mines, flooded villages, villages on fire, destroyed villages, explosions, huge patches of deforestation and flooded forests.

Yet in all the destruction nature continues the best way she can whether it be sunflowers growing in front of abandoned trenches, a bear swimming in a pond with a huge piece of shell casing seen in the clear pool or pheasants scooting about in tank treads. A sense of resilience imparting some shred of hope that one day Ukraine will be at peace and nature will not have to struggle to repair the damage wreaked upon it.

Divia has a meaning or connotation of something sacred, blessed or associated with deities. If there is anything sacred in this documentary it would the resilience of nature.

Watch the trailer here https://www.youtube.com/watch?v=q1rJanwSsiw

This Ukrainian, Polish, American, Dutch and UK production is directed by Dmiytro Hreshko and will be having its regional premiere on 19August2025 at the Sarajevo Film Festival.

RKS 2025 Documentary Film Rating 94/100.

RKS 2025 CANADIAN Film:“Seeds”: Something More Political is Germinating Under the Horror

“Seeds” is most often categorized in reviews as a horror movie with comedic elements. I agree but there is an angrier political layer germinating under the horror moniker namely an Indigenous strike back against colonization both past and present.

We are introduced to Ziggy (Kaniehtiio Horn) as a struggling urban Indian “influencer” surviving on bicycle food deliveries in Toronto as she is influencing very few followers hence without revenue. Her big break is a contract with Nature’s Oath a seed and fertilizer company to promote their seeds.

Someone is watching her at the outset and throughout the film. Suspense!

While watching a horror show (with her beloved cat Potato) narrated by Graham Greene one night after landing her seed gig she dozes off woken up by Graham Greene on the television speaking directly to her. Is the severed bloody ear she finds on the couch just a dream?

The next morning, she receives a call from her cousin Wiz (Dallas Goldtooth) asking her to return to her Mohawk rez to watch Auntie’s house who is in New Zealand. Ziggy returns to the rez and Auntie’s car is not working leaving poor Ziggy alone deep in the woods. Eyes are upon her and next a break in by a man, Drake (Patrick Garrow) that was having his car repaired by Nookie in the rez watching Ziggy with intensity. Potato the cat attacks intruder Drake ripping his ear off and is rewarded by being bludgeoned to death. Ziggy returns and discovering Potato’s murder vows revenge. This airy influencer starts to show her mettle handy with a rifle and knife and brimming with revenge.

Graham Greene appears again and warns Ziggy people are coming to take something special from her but does not say what even when Ziggy asks if these people are after the seeds but he shows Ziggy a past time where Mohawks were farming the land. Greene later says to Ziggy that she is a strong Mohawk woman and go fuck em up!

Aunty had called Ziggy previously and said seeds were stolen at a Māori’s home in New Zealand and please guard the seeds in her house with her life. They are unique to the Mohawk people. Nature’s Oath is genetically modifying seeds which produce plants with sterile seeds so seeds must be purchased again driving up the profits of this near monopoly seed company.

Drake appears yet again at Auntie’s house and a fight ensues with Ziggy a true Mohawk warrior. Mystery and suspense veers toward horror and I can’t tell you what comprises the horror as the film would be ruined. Why don’t we say it is very hearty type of horror!

My thoughts are horror is a smoke screen as disguised in the smoke is razor sharp political and social commentary:

  • A pure Indigenous strike back at colonialism
  • A defeat of the Christian missionary colonizers. Look at the cross worn by Drake
  • A defeat of post Christian missionary colonizers. Look at the underwear with the maple leaf’s
  • A dressing down of fifth column Uncle Tom Indigenous traitors
  • Pride in and protection of Indigenous culture
  • Lambasting trinket trickery of the colonizers
  • The reverence of the land and environment as central to Indigenous culture
  • Mistrust of corporate interests as to Indigenous land
  • The easy manipulation of the media by corporate interests including the use of ignorant profit driven social influencers

The powerful and angry soliloquy of Ziggy crosses the line from acting to a heartfelt lecture against Indigenous exploitation and colonization. Horn, and not Ziggy, is speaking from the heart.

Certainly, there are, thrills, mystery, horror and a tad of comedy but distill these outer layers and there is an intense political-cultural message dominating the film.

The writer and director (and Ziggy) is Kaniehtiio Horn.

You may watch the trailer here https://www.youtube.com/watch?v=6-EzLysgD1I&t=12s

Some gaps and weakness in the writing, continuity editing and at times the acting

RKS 2025 CANADIAN Film Rating: 86/100.

RKS 2025 CANADIAN Film: “Sweet Angel Baby”: Newfoundland Explosion!

“Down east”, as they say in Canada, on 6December1917 two ships, one loaded with high explosives, collided in Halifax, Nova Scotia with the resulting explosion killing 1,782 people and injuring an estimated 9,000.

In the film “Sweet Angel Baby” filmed down east in Newfoundland and Labrador a massive explosion occurs but a moral one, not physical.

Eliza (Michaela Kurminsky) has a secret life as a social media photographer with close to 70,000 followers enjoying her racy photo’s whether they show her rubbing her half naked body with homemade preserves or flashing herself nestled in between a moose head. She does her best to conceal her identity but carelessness definitively blows her cover.

Eliza is an in the closet lesbian enjoying the company of town lesbian Toni (Elle-Máijá Tailfeathers).

Eliza fornicates avoidance style with blackmailer Sean who “promises” to keep her on-line photos covert otherwise he would blow her cover.

Eliza lives in small town Newfoundland apparently a good churchgoing restaurant manager. Gossip is deadly in such a small town and the sordidness of her on-line “perversion” explodes causing moral casualties. Despite the town’s Roman Catholic priest exhorting parishioners with kindness, compassion, humility and forgiveness in his sermon the worldly overtakes spirituality and the gunpowder of morality spews all about.

Despite quiet Newfoundland expounded in so many Newfoundland and Labrador tourism commercials in “Sweet Angel Baby” expect treachery, blackmail, steamy sex, scandal, residential school mentions, hypocrisy, pride and most importantly DEFIANCE.

There is no need to cancel your Newfoundland and Labrador tourism vacation plans. Unique for its physical beauty its inhabitants may be no different than in the rest of Canada.

Written and directed by Melanie Oates.

Theatrical release in Canada 15August2025.

RKS 2025 CANADIAN Film Rating 93/100.

RKS 2025 Wine: DAC/Dão

On my last trip to Portugal’s Dão region I did not have the opportunity to visit Quinta Pellada where this wine was produced. The Dão is not so far from the Douro region but its topography is far different. Forested in places, green and almost verdant. Gigantic glacial boulders may appear in fields and exotic mushrooms in the forest.

Alvaro Castro inherited Quinta da Pellada, his family’s estate in 1980 which he replanted. The Quinta has been producing wine since the 16th century. It is surrounded by pine trees on a 500-meter-high hill overlooking Serra da Estrela Portugal’s tallest mountain (2,000 meters).

The wine is a blend of Touriga Nacional (30%), Jaen (20%), Tinta Roriz (30%) and Alfrochiero (20%). Fermented in stainless steel vats and aged for 12-18 months in used 2–3-year-old French oak barrels.

Alvaro Castro and his daughter Maria are the winemakers.

Aroma: Black cherry, cassis, root beer and blueberry all dense and compact.

Palate: Guarded tannins. Firm but not distracting acidity. Well integrated oak. Blueberry tucked in nicely. A husky finish smooths out at a leisurely pace. Distinctly different from a Douro red.

Personality: In terms of Canadian familiarity with Portuguese wine I fall behind wines from the Douro and Alentejo but that is a matter of volume exported and certainly not quality.

Food Pairing: The winery suggests, “Simple fare, charcuteries and smoked meats, hard cheese as Parmesan or Manchego. Meats like veal, pork and roasted turkey.” As for meats it all depends on how the meat is prepared. I would suggest pork tenderloin broiled and topped with a blueberry jam and red wine reduction sauce.

Cellarbility: Drink no later than the end of 2026.

Price: $24. CDN.

RKS 2024 Wine Rating: 91/100. 94 Joshua Greene wineandspiritsmagazine.com

(DAC 2019 Red Wine Blend, Dão DOP, Olé & Obrigado, Portugal, 750 mL, 13%).