RKS Poetry Anthology (All We Get Are The Coffee Grinds): “It’s Mainly Because of the Meat”

It’s Mainly Because of the Meat (a day at the hospital)

Defying fate

The numbered pieces of meat are kept tender by the singing of the dart laden

Nightingales

They lie glistening

Some in cellophane wrap

Fresh and clean

For the greedy fate regulators and their machines

White clad techno princes

Who sound the charge armed with reams of slaughtered trees

And sticks that relentlessly scratch

Knives or forks?

Needles or threads?

Charting with the sage chants the ringmasters of pain

Whip the remnants of human dignity

For the hungry audience of apprentices

Gawking at the wisdom of the teacher

All believing

Who perhaps

One day will know the power of their

Pharisees

Robert K. Stephen

RKS INTERNATIONAL FILM: “House of the Wind”: The Answer My Friend is Blowing in the Wind

Josette (Josette Kwanya) is an elderly widow living in the Cameroonian capital city of Yaoundé. She inhabits a large, deserted house as all her five children have left for Europe. The radio and television we hear the background comments on this exodus noting there are no opportunities for young Cameroonians causing them to emigrate to Europe where one announcer remarks they are misled into thinking everything is perfect. This mass exodus from one impoverished country into ones of land of milk and honey is immemorial.

Her children communicate with Josette through video calls replete with excuses how they’re going to visit her “soon”. One son, Benoît, has Josette supervising the construction of his house he plans to live in when he returns to Cameroon. Instead of a planned return strangers appear at Josette’s door asking for the keys of their rented house (Benoît’s house) such renting not disclosed to Josette.  A taste of being swindled here!

Sensing more swindles (on my part) Josette at the bank is confused rummaging in her purse for her identification card which she has lost. A senior with a weakened mind and easily manipulated?

Then there appears Sarah (Moudjeu Pouadeu) a street purveyor of traditional medicines who swindles bank tellers by claiming they have shortchanged her whilst she skillfully sticks a few notes together to appear as one banknote! Sarah, being bashed about by her father for her intent to marry a white Frenchman Adrien, pleads to stay with Josette for two days which turns into two weeks and more until Adrien, her fiancé arrives. Is this Adrien in on an ageist swindle?

Sarah takes out Josette for the first time she has been to a bar and they dance together. Is she getting the old bird plastered to knock her over the head and steal the contents of the house? Red herring in my imagination?

If loneliness is the central theme of director Auguste Bernard Kouemo Yanghu it fails. Josette may be abandoned as so many Cameroonian parents are, but lonely with the arrival of Sarah…no way. She has been reconnected to life.

Sarah is no angel tricking bank tellers, asking Josette to “play” her mother and failing to reveal to Adrien she has been married “in the traditional way” but she has been battered around by her father and her “traditional” husband so some sympathy might be accorded to her.

Josette is no saint as well.

What is the suitcase scene with various powders being packed into a suitcase? Drug smuggling. And the shots of a big airy living room looking like a mini-Versailles? The answer my friend is blowing in the wind.

My favourite scene is the children having constructed an Air France airplane out of cardboard outside of Josette’s house. Ready to fly the coup to France, the land of milk and honey. A colonial power France, now repaying its debts to Cameroon. Powerful symbolism.

The performances of Pouadeau as a con/angel/victim and Kwanya are compelling and worth the watch alone.

Cameroon/France/Belgium/Benin/Saudi Arabia/Qatar (2026)

RKS International Film Rating 64/100.

RKS Poetry Anthology (All We Get Are The Coffee Grinds): “Paganistic Birthday Party”

Paganistic Birthday Party

Assembled about the synthetic evergreen altar

Are the little dazed children

Stunned as if pondering the words of the wisemen

They murmur their pagan chants

Materialistic hymns of candy, games and toys

Greedy gleaming eyes of the little fry thought to be cute

Wish they could have more than they sere

The evening feast

A ritualistic ceremony of orgiastic delight

Bloated bellies and upset stomachs

Oh Christ

They’ve forgotten you and it’s not funny

Seems you are used for the money

Hedonistic decay

Displayed in such an overly degenerate way

A Satanic surrealistic day

Of electric shavers and racing car sets

Chocolate mangers, plastic Christs and neon bulbs

Bright colours

Euphoristic delights

Santa Claus Satan’s false pretender

Laughs quietly

His work well done

Robert K. Stephen

RKS Poetry Anthology (All We Get Are The Coffee Grinds): “Wine”

Wine

Light-headedness is a sign

Of unbridled optimism

Deceiver of situations

Joyous roguish red nectar

Roaring through the veins

Like a tropical river teaming with mystery you

Softly laid me to the floor

But I Still wanted more

And you

Like some deceiving whore caressed my lips

Until I slowly entered into insensibility

Robert K. Stephen

RKS British Literature: London the City of Drab Dead (John Fowles)

If Rome, a city of vulgar living, had been depressing after Greece, London, a city of the drab dead, was fifty times worse. I had forgotten the innumerability of the place. Its ugliness. Its termite density after the sparsities of the Aegean. It was like mud after diamonds, dank undergrowth after sunlit marble; and as the airline bus crawled on its way through the endless suburb that lies between Northolt and Kensington I wondered why anyone should, or could, ever return of his own free will to such a landscape, to such a society, such a climate.

John Fowles, “The Magus”, 1977.

RKS British Literature: The Nakedness and Humanity of Greece (John Fowles)

In my mind Greece lay weeks, not the real hours, behind. The sun shone as certainly, the people were far more elegant, the architecture and the art much richer, but it was as if the Italians, like their Roman ancestors, wore a great mask of luxury, a cosmetic of the over indulged senses, between the light, the truth and their real selves. I couldn’t strand the loss of the beautiful nakedness, the humanity of Greece, and so I couldn’t stand the sight of the opulent, animal Romans; as sometimes one can’t stand one’s own face in the mirror.

John Fowles, “The Magus”, 1977.

RKS Poetry Anthology (All We Get Are The Coffee Grinds): “Emperor Bokassa murders 153 schoolchildren”

Emperor Bokassa murders 153 schoolchildren

Nice little baby

Come here little sweetheart

Want a big kiss from mummy

Little chicken tidbits for a delicate sweetie

Daddy poo wants to take you for a walk

No big doggie will molest our little baby

And when you return home a cookie

Oh you are such a wonderful darling

Where would we be without you

You loveable pooch

Come to mommy and daddy

Robert K. Stephen

RKS Poetry Anthology (All We Get Are The Coffee Grinds): “All we get are the coffee grinds”

All we get are the coffee grinds

The mighty converge in golden dimensions

Crouched behind pheasant and brut

Forging the new world

For the exclusive benefit of all

Charades for fools and the scribbling bloodsuckers

Fantasizing

Vomiting streams of foulness to be lapped up by ignorant optimists

Applauded from the black robed rotunda

Let it be known he died not in vain

But let it wait if it must

There is a better world beyond

No rush here

Chapter and verse are cheap

Let no new shepards arise

Lest they upset the flock

Or the Index

Rules of Production

Need not be disturbed

Red or White

You know it never changes

Raise, rise and peak

Hail statistical efficiency!

New breakthroughs

New hopes

A new world

A new man

Self glorification at such a cheap price

The infinite birthday party drags

With infinite toasts to the

Snappy suited apostles of shit

Robert K. Stephen

RKS Poetry Anthology (All We Get Are The Coffee Grinds): “Finalized Conclusion”

Finalized Conclusion

You don’t want to

BUT

You don’t know where to go

What you’ve done wrong

How many people you have hurt

Pain

Suffering

Selfish grief

What can you say

What can you do

What shall you do

The razor blade gently calls

To

 Slide

You away

Robert K. Stephen

RKS Poetry Anthology (All We Get Are The Coffee Grinds): “the 27th loser”

The 27th loser

She wanted to meet him and more

The Big Star

He was all she desired

Without her body next to his she’d go mad

A typical case but sad

She rejected possible lovers by the score

Preferring to read about him in cheap pulp magazines purchased at the corner drug store

Dreams about-with-for him manifested the best of her

She found it imperative to nestle in his fur

She found a job

Not exactly one where the money rolled in by the glob

Her social life was nil

She swallowed the Pill

Buying wardrobes by the score but

Her lack of taste made her look like a cheap whore

She saved her bread and to L.A. she fled

Studios were phoned and finally she cornered his agent

A high-class gent by the name of Kent

No way to see him was his reply

Her pleas didn’t even cause a dent

So hundreds of pleading letters were sent

And the badgered man was compelled to relent

She met him along with others standing in a long line

But for her there was no worry

The others were clearly low-class mothers

He’d give kisses to her that would smother

Making her free of bothers

Finally it was her turn

Two minutes in his dressing room

His motors would soon be in high zoom

For her he’d fall

It would be a quick wedding Rolls and all

Then children six feet tall

But he didn’t give a damn

She’s simply another face

Lacking elementary grace

The two minutes disappeared in a flash

Her idol clearly didn’t care

And was not moved by her penetrating stare

The security guard called for the next

She sobbed and grabbed him so perplexed

Causing the security guard’s muscles to flex

And so dragged away was the wench

Out on the street and out of her mind

Wandering amongst her proletarian kind

Life to her now was no better than a rotten melon rind

It would be back to the toy shop

What a disastrous flop

To the drugstore she went

On razor blades her money was spent

And to the Holiday Inn (in room207)

Where she promptly did herself in.

Robert K. Stephen